Showing posts with label George Galloway. Show all posts
Showing posts with label George Galloway. Show all posts

Thursday, 24 January 2013

BRITISH LENINISM IS DEAD

Paul Anderson, Tribune column, 25 January 2013

The economy is in free-fall, the government is stumbling from crisis to crisis, Labour is somnambulant … but what has the British left been talking about this past month? Online transsexuals bullying the feminist journalist Suzanne Moore about an article in the New Statesman – and an extraordinary bust-up in the Socialist Workers Party over an allegation of rape against a senior male member.

The storm over the ugly threats to Moore has had more media coverage – in part because Julie Burchill responded to them by accepting a commission to write an incendiary piece for the Observer lampooning what she called “a bunch of dicks in chicks’ clothing”. Her article, which is very funny, was removed from the paper’s website by its editor, John Mulholland, after readers (and his editor-in-chief, Alan Rusbridger) complained – a quite astonishing failure of editorial nerve. I’m with Suzanne and Julie on this one: however misunderstood and oppressed you are, you don’t Tweet rape threats to the birds.

But the SWP sexual assault scandal has wider ramifications. The story is simple. Some years ago, a woman member of the party complained of sexual harassment by a party bigwig – and last year she accused him of rape. The party referred the case to its disputes committee, the members of which were friends of the accused; and the committee conducted a slapdash inquiry and found the accusation not proven. It then reported its verdict to a closed session of the party’s conference in early January – which voted to accept it, but only by the narrowest of margins.

Then the shit hit the fan. A transcript of the conference debate on the disputes committee report was sent to the Socialist Unity website by a party member disgusted by the leadership’s lack of openness on the case. This in turn was the cue for several resignations and a spate of polemics from suddenly dissident SWPers – prominent among them the writers Richard Seymour and China Miéville – loudly denouncing the party leadership they had supported unswervingly for years. The hypocrisy is breath-taking, but never mind. The SWP is now in what looks like a terminal crisis.

So what, you might think. But although the SWP doesn’t matter much, it does matter. Until this latest scandal, it was the sole survivor of the Leninist far left in Britain that could claim to be more than a website or a network of old comrades in their fifties with salaried positions in the labour movement, academia, the media and various pressure groups (though of course it was that too). Since the early 1990s the SWP has been the biggest faction on the far left in Britain (which isn't saying much: its membership is almost certainly less than 2,000).

It was a beneficiary of the implosion of its competitors. The Communist Party of Great Britain split during the 1980s. The Eurocommunist majority abandoned Leninism to create Democratic Left (which dwindled to nothing, changed its name twice and handed over what remained of the Moscow gold to a constitutional reform pressure group). The CPGB’s Stalinist minority regrouped in the tiny Communist Party of Britain, most of whose members are now pensioners. A little later, the SWP’s main rival on the Trotskyist left, the Militant Tendency, went into catastrophic decline after it was expelled from the Labour Party (except briefly in Scotland, where it was the core of the Scottish Socialist Party until its charismatic leader Tommy Sheridan fell from grace, though that’s another story).

During the 1990s, the SWP recruited a swathe of leftists left homeless by New Labour, and after Labour won in 1997 made an opening to its rivals, setting up a party to fight elections, the Socialist Alliance, with Militant (by then the Socialist Party of England and Wales), which contested the 2001 general election. The SA won nothing, and meanwhile the brains behind the SWP got old and died: Tony Cliff (2000), Duncan Hallas (2002), Paul Foot (2004).

The SWP terminated the great Trot love-in amid recriminations, but after 9/11, the SWP threw itself into anti-war activism – and found itself new allies in the form of the Muslim Association of Britain and the maverick pro-Saddam Hussein Labour MP George Galloway. The result, after Galloway’s expulsion from Labour in 2003, was the creation of a another new electoral party, Respect, which did very well for Gorgeous George, who won Bethnal Green and Bow in 2005, but not so well for the SWP, which got few recruits from the initiative and a lot of ridicule for cosying up to barmy reactionary Islamists.

The SWP left Respect and jettisoned the two leading figures most responsible for the Islamist turn, John Rees and Lindsay German, who now run a website-cum-party called Counterfire. It was obvious when they left that the party was in trouble, but it still dominated the far-left scene: every union branch had a resident SWPer. Now the party is a laughing-stock: no one will even talk to them after all this. I’m not mourning, but it’s worth noting. British Leninism is finished.

Friday, 27 January 2012

WHY WAS PRESS TV OK'D TO BEGIN WITH?

Paul Anderson, Tribune column, 27 January 2012

So,farewell, then, Press TV, as Private Eye’s spoof poet E. J. Thribb would say. The Iranian state television station last week had its licence to broadcast in Britain revoked by the regulator, Ofcom, after repeatedly breaching the Ofcom code. The final straw was its refusal to guarantee that it was editorially controlled from London and not from Tehran. Last Friday it was removed from the BSkyB satellite.

An outrageous assault on freedom of expression? George Galloway, the former MP who has presented a regular show on Press TV, certainly thinks so. “Champions of liberty the British govt have now taken Press TV off Sky,” the gorgeous former admirer of Saddam Hussein tweeted in response to the decision.

But then he continued: “Follow us at www.presstv.ir and other platforms” – which rather undermines his point. Press TV hasn’t actually been suppressed, and it isn’t really farewell. Anyone who wants to can watch it online.

Not that I’m going to, I might add, or at least not very often. Press TV is an organ of Iranian government propaganda, a purveyor of anti-semitic conspiracy theory and anti-democratic bile, no more trustworthy than the Soviet Novosti Press Agency and its lackeys were in the bad old days. You only watch it to see what the Iranian government and its useful idiots in the west are saying.

Nevertheless, the case of Press TV is an important one because of what it says about the difficulties of regulating broadcasting in the digital age.

From the 1920s until very recently, Britain had a very tough regulatory regime for broadcasting. For more than 30 years, the BBC – a state-owned corporation from 1927 – had a monopoly of broadcasting, with strict rules prohibiting political partisanship and bias, and the same rules were applied to commercial broadcasters after the BBC monopoly was broken in 1955 with the creation of ITV.

In the years after the end of the BBC monopoly, commercial broadcasting grew massively in scope – commercial radio from the early 1970s, Channel Four from 1982, Sky and other channels on satellite from the late 1980s – but the tough rules on partisanship and bias remained in place.

They weren’t perfect: a self-satisfied establishment consensus ruled, views outside the mainstream were largely excluded from the airwaves, and governments of every political persuasion did their best, with varying degrees of success, to suppress awkward programmes and keep out awkward programme-makers.

But the regulatory regime spared – and what remains of it still spares – British broadcasting the propagandist partisanship that has poisoned the political culture of other countries. Italy has Berlusconi TV in all its forms, the United States has Fox and dozens of radio stations that pour out populist right-wing propaganda for their corporate masters. We don’t.

The very fact that Press TV was given a licence in the first place shows, however, that the long-standing British regulatory regime has started to disintegrate – and the fact that its licence being revoked makes little difference to its accessibility is a harbinger of things to come. In the multi-channel, multi-platform, global-broadcaster digital age, content regulation is more difficult to justify – who nixes “We’re just an honest-to-goodness news channel run by an office in London with lots of ethnic-minority people (and George Galloway)”? – and almost impossible to enforce completely.

Some would say that this is a good thing, but I don’t agree. A free-for-all of the airwaves could well be in the offing. But it would advantage no one but the already advantaged – super-rich individuals, corporations and states – towards whom the rules are already heavily stacked. The British regulatory regime for broadcasting needs to be reinforced to limit propagandist channels' access, not relaxed. It might be a fighting retreat, but it's worth it.

Which is where Nick Cohen’s fiery new polemic about freedom of expression, You Can’t Read This Book, comes in. He recognises that we need regulation to preserve media freedom. The book’s big theme is that formal legal guarantees of freedom of expression are not enough to sustain its practice.

Fear – fear of being fired for stepping out of line by a corporation or government organisation that employs you, fear of the libel action that might come from a super-rich crook with a holiday home in London, fear of being assassinated for offending the religious sensibilities of some imam in Iran (who might well broadcast on Press TV) – is as potent a constraint on free expression as the censor of a totalitarian state, and a much larger and more present danger in western democracies than necessary tolerant democratic media regulation.

Cohen’s book is brilliant – add that to the cover blurb – but it doesn’t go far enough in exploring the informal system of controlling what is sayable and what is not in the contemporary media. He’s quite blasé about political and cultural exclusion by newspaper and broadcast editors (his line is that you can always find another outlet for your opinions, which might be true for him but isn’t for most of the rest of us) and he has nothing to say about the collusion between journalists and their sources that keeps so much that should be public private.

Ah, what the hell. I’m writing what I think for a democratic socialist newspaper. It will be published (I hope) more or less unchanged. We might be as marginal as it’s possible to be, but we’re still here, out and proud. That’s good, and long may it continue. The survival of Tribune is much more important than that of Press TV.