Friday, 25 May 1990

NO SURPRISES

Paul Anderson, review of Vanilla by Jane Stanton Hitchcock (Lyric), Tribune, 25 May 1990

The thought of Harold Pinter directing a black comedy about the super-rich is rather appealing, but Vanilla doesn't work at all. Not that it's Pinter's fault: it's simply that Jane Stanton Hitchcock's play, although based on some quite good ideas, is third-rate.

Vanilla is essentially an attempt at setting Restoration comedy in contemporary New York. Clelia Climber, a whore who has married a billionaire, is throwing a megabuck party. The guests include Lucy Lucre (the world's richest woman), Amanda Tattle (a lesbian society gossip columnist), and Miralda Sumac (a sex symbol whose husband has just been overthrown as the dictator of Vanilla, a small third world country). As a novelty, Clelia has decided that the after-dinner entertainment at the party should consist of poor people - but the poor people riot, led by her servants Maria and Jesus, both Vanillans determined to avenge their families' treatment by the vicious Sumac regime.

This could have been the opportunity for some wicked satire, but Hitchcock's writing just isn't up to it. Her dialogue is at best pedestrian, the gags are lame, and there are no surprises. The star-studded cast struggles valiantly, particularly Joanna Lumley as Miralda and Sian Phillips as Lucy. But the best thing about Vanilla is the interval icecream.