Friday, 6 April 1990

NOT QUITE ...

Paul Anderson, review of All’s Well That Ends Well by William Shakespeare (Royal Shakespeare Company, Barbican), Tribune, 6 April 1990

Barry Kyle’s production of Shakespeare's All's Well That Ends Well has its moments, but is for the most part rather uninspiring. All's Well works only if plebeian Helena's rejected passion for aristocratic Bertram is credible, but Patricia Kerrigan and Paul Venables don't quite pull it off.

He is bland and plain rather than haughty and dashing, and it's difficult to understand either what she sees in him or why he runs off after the King of France has made him marry her. That, in turn, makes it hard to make sense of her willingness to go to near-absurd lengths to trick him into bed.

Nevertheless, the main comic action is well done, and there is some excellent acting on display, particularly Bruce Alexander's Parolles, all swank and bluster, and Geoffrey Fishwater's Lavatch, the unhappy fool.